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Instrumentation and Orchestration, by Alfred Blatter
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Intended for Orchestration and Composition courses for majors.
- Sales Rank: #296371 in Books
- Published on: 1997-05-01
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x 1.19" w x 7.00" l, 1.96 pounds
- Binding: Paperback
- 528 pages
Review
The Basics: Preparing Scores and Parts. PART I: THE SCORE. PART II: THE PARTS. 1. Instrumentation: The Orchestral Strings. 2. Instrumentation: The Woodwinds. 3. Instrumentation: The Brasses. 4. Instrumentation: The Percussion. 5. Instrumentation: Other Instruments. 6. Instrumentation: The Voice. 7. Orchestration: Scoring Musical Elements. 8. Orchestration: Scoring for Various Ensembles. 9. Orchestration: Techniques of Transcribing. 10. Orchestration: Techniques of Arranging. Organizing Resources. Judging the Work. Final Thoughts. Appendixes. Bibliography. Index.
Most helpful customer reviews
22 of 22 people found the following review helpful.
The best of its kind
By Robert M. Freedman
I have been a professional arranger/orchestrator for nearly fifty years. My copy of the first edition of this book, which I obtained in 1982, is well worn from constant use because it is the best source of accurate information about the widest variety of instruments.
Alfred Blatter understood what an orchestrator wants and needs to know about the capabilities and limitations of the instrumental forces. For students, this book provides reliable data on which they can build a useful and dependable knowledge base. For experienced writers, it is a superb source of reminders as well as information about some instruments for which one may not have previously encountered.
The book's fingering charts have often helped me make decisions about how a tricky passage could be made more comfortable for the players. Information about accessible ranges for student performers vs. those of professionals has also been of immense value to me.
In short, this book is an excellent reference work.
5 of 10 people found the following review helpful.
A Great Resource
By Doc Sarvis
This is an excellent resource book for any music student, anyone interested in symphonic or band music, and any composer. In short: If you love music, this book will be an extrememly useful addition to your bookshelf.
19 of 20 people found the following review helpful.
An excellent book - for instrumentation
By A Customer
Instrumentation and Orchestration should be titled just "Instrumentation."
The book goes in depth on practically every instrument available, explaining each instrument's specal features. It demonstrates how to notate a "smack tone" for a double-reed, or a "mouthpiece pop" for brass. It does in depth on brass mute effects and multiphonics, it shows picture after picture of instrument families (in the case of the clarinets, it dipicts the A-flat soprano clarient to the B-flat contrabass clarinet, and everything in between, including the basset horn in F).
Instrumentation and Orchestration highlights almost every percussion instrument seen in modern ensembles,and includes an apendix with fingering charts for every instrument discused earlier in the book. It even has a section on the voice and choral arrangements.
But it contains only 5 short chapters on orchistration, somthing stressed in the title of the book. If somone is looking for a book on orchistration, this would not be the book to buy. It may be extreemely helpful in demonstrating every instrument's unique charactaristics and how to notate them, but I would caution anyone buying this book purely for orchestration.
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